is the knowledge-sharing platform for the 

. Explore the experiments and bold ideas behind the Academy's Fellowship programme, delve into the science behind the projects of our HIDA researchers, and explore the results of international collaborations.

is a platform for discovery and documentation. Each 

showcases a unique artistic-technological research project, with topics as diverse as the use of AI in theatrical design, choreography for and with robotics, and the possibilities for theatre in virtual spaces. Each 

 offers the chance to learn more about the members of our artistic research network. By pooling our knowledge in such a way, creative research into theatre, performance and digital technologies can become more accessible, sustainable, and artistically innovative.

Funded by the Federal Cultural Foundation, the Academy will award a total of 54 fellowships between 2019 and 2022, each lasting for five months. The 

 are designed for people interested in artistic-technical research which explores the possibilities for digital narratives in theatrical spaces, as well as their practical implementation. Fellows have researched a variety of digital methods (motion capture, coding, XR, VR, AR, sensor technologies, robotics, and more) across artistic fields including opera, dance, orchestra and drama. 

Helmholtz Information & Data Science Academy

(HIDA), the Academy for Theatre and Digitality has offered joint research fellowships at the interface of digital art and cutting edge scientific research since 2021. The HIDA fellowships are kindly supported by the 

PlayOn! New Storytelling With Immersive Technologies

 is a larger scale cooperation project, funded by Creative Europe, designed to understand, learn, test and apply immersive technology to theatre, in order to shift classical storytelling to interactive narrative formats.

Artificial Intelligence

VR (Virtual Reality)

Interactive

Sound Design

Projection/Mapping

3D Printing

XR (Extended Reality)

AV (Audiovisual Design)

Theater Dortmund
Theater Karree 1-3
44137 Dortmund
Germany
Fon: +49 (0) 231 226 14330

Address and location of the Academy for Theater and Digitality:
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44147 Dortmund
Germany

E-Mail: akademie@theater.digital
Web: theater.digital

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Management Team:

Executive Director
Tobias Ehinger

Administrative Director
Martin Lizan

Director of the Opera
Heribert Germeshausen

Director of the Ballet
Xin Peng Wang

General Music Director
Gabriel Feltz

Artistic Director of the Schauspiel
Julia Wissert

Director of the Children's and Youth Theater
Andreas Gruhn

Director of the Academy for Theatre and Digitality
Marcus Lobbes

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Fellowship

HIDA

PlayOn!

discover cutting-edge digital research in theatre and performance 
meet our research fellows and collaborators in the 

Portal: Academy for Theatre and Digitality

Professor of the Department of Informatics at Polytechnic of Guarda, Portugal

Carlos Carreto

The main question was how to transform all the show room in a hybrid stage that interrogates the place of the audience and how to behave as an  audience member. 

We use technology on stage to reflect the way we use it in our everyday life: robot, video and surveillance cameras.

Our intention is to contribute with more questions and not more answers. We’re facing incredible fast changes in the relations between humans and machines. And we want to use our art, theatre, to ask people to stop and reflect with us about it, instead of going forward and forward with knowing the direction and without thinking on the consequences.

How did the collaborators work together on this project?


We designed the creative process in a way that allows every member of the artistic team to propose exercises, ideas and improvisation work with the actresses.

We tried LIDAR sensors and other forms of movement captures technology to use on stage. With all the tests we made, we conclude that because of the idea of having a lot of audience on stage, it will be hard to make it reliable.

Did you use existing software and/or applications?


We use ISADORA, TOUCHDESIGNER to manage surveillance cameras, to address the video to the outputs and to capture images of the audience in real time.

What were the key milestones in the development of the production?


To engage the audience on stage and to use the images capture in real time to improve the reflection about the way we use technology in our daily life, based on the concepts of freedom and security.

Team

João Neca

Elena Tilli

"Sway, move, come on! That's the only way to escape him. He who rules the world has no power over movement, and he knows that our body in motion is holy. He can only exert power over what's motionless and immobilized, over what's passive and inert." in Bieguni by Olga Tokarczuk. NOMADS is a theatrical creation based on Bieguni, a short story in the book "Flights", from Polish author Olga Tokarczuk, winner of the 2019 Nobel Prize in Literature.

NOMADS tells the story of a woman (Annuszka) in an urban context, entangled in a common life, who, from the moment when she meets an indigent homeless woman (Galina), abandons her family, and spends the following months traversing metro lines, travelling non-stop, refusing to go back home. Every night Annuszka and Galina meet, walk around the city looking for shelter, and talk about freedom and safety. A show about immobility and not being able to stop. About darkness. About vigilance. About the ways to defend ourselves against the claws of the power that wants to tie our hands: to never stop thinking, to be in constant inner movement.
___________________________________________________________
A Teatro O Bando production as part of the Creative Europe project PlayOn! 

RESEARCH PLATFORM

Academy for Theatre and Digitality

Carlos Carreto

Tech Consultant

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