is the knowledge-sharing platform for the 

. Explore the experiments and bold ideas behind the Academy's Fellowship programme, delve into the science behind the projects of our HIDA researchers, and explore the results of international collaborations.

is a platform for discovery and documentation. Each 

showcases a unique artistic-technological research project, with topics as diverse as the use of AI in theatrical design, choreography for and with robotics, and the possibilities for theatre in virtual spaces. Each 

 offers the chance to learn more about the members of our artistic research network. By pooling our knowledge in such a way, creative research into theatre, performance and digital technologies can become more accessible, sustainable, and artistically innovative.

Funded by the Federal Cultural Foundation, the Academy will award a total of 54 fellowships between 2019 and 2022, each lasting for five months. The 

 are designed for people interested in artistic-technical research which explores the possibilities for digital narratives in theatrical spaces, as well as their practical implementation. Fellows have researched a variety of digital methods (motion capture, coding, XR, VR, AR, sensor technologies, robotics, and more) across artistic fields including opera, dance, orchestra and drama. 

Helmholtz Information & Data Science Academy

(HIDA), the Academy for Theatre and Digitality has offered joint research fellowships at the interface of digital art and cutting edge scientific research since 2021. The HIDA fellowships are kindly supported by the 

Artificial Intelligence

Installation

VR (Virtual Reality)

Puppetry

Interactive

Stage Design

Dance

Sound Design

Theater Dortmund
Theater Karree 1-3
44137 Dortmund
Germany
Fon: +49 (0) 231 226 14330

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Management Team:

Executive Director
Tobias Ehinger

Administrative Director
Martin Lizan

Director of the Opera
Heribert Germeshausen

Director of the Ballet
Xin Peng Wang

General Music Director
Gabriel Feltz

Artistic Director of the Schauspiel
Julia Wissert

Director of the Children's and Youth Theater
Andreas Gruhn

Director of the Academy for Theatre and Digitality
Marcus Lobbes

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Fellowship

HIDA

discover cutting-edge digital research in theatre and performance 
meet our research fellows and collaborators in the 

Portal: Academy for Theatre and Digitality

Markus Schubert is a creative technologist, game designer, founder and ceo of Nebelflucht GmbH, initiator of the gaming platform 

 and member of the hackerspace "Raumfahrtagentur" in Berlin. 

He is a computer scientist with over 20 years of experience in IT consulting as a software developer and architect. For the last decade he has been working on interactive games, participatory formats and immersive installations both in the independent scene and at city theaters with various groups and artists. 

These include "Kinesphere" at Staatstheater Augsburg, "Game Over" at Saarländisches Staatstheater, "No Work And All Play" at Staatstheater Nürnberg and many others. In 2020 he was a Fellow at the Academy for Theater and Digitality at Theater Dortmund. Since 2021 he teaches in the department of computer science at the Berlin University of Applied Sciences.

Image: Thea Hoffmann-Axthelm

Markus Schubert

Christiane is working on a framework of how to prototype and evaluate social protocols and society building methods in play and theatre context with (inter)active audiences. Markus is curious about playing around/hacking different technologies. A shared interest that we figured out is smartwatches as social devices.

For interesting group interactions with smartwatches as devices (that do not require mobile phones), it would be interesting to have them interconnected, being able to sense (the distance and more) of each other, to measure the carrier's body-information (heart-rate, movement-pattern) and to be able to function as a communication device (with each other e.g. to push and receive game elements or to receive global push notifications).

Here are the specifications of the hardware we need:

how to organize subgroups (tribes) of an instant society in a way that their actions have meaningful impact and can be evaluated afterwards

how to prototype new kinds of social protocols with intuitive instructions/means

how to model a kind of “social sense” (to feel closeness and distance, to feel attention and aversion)

how to model abstract resources (as time) in an intuitive way

how to make the interface as intuitive as possible

build a network where the watches communicate with one another

build a server which saves game state and communicates with the smartwatches

2 x bangle.js *All the Espruinos!* edition

(Since some months we are watching the following watch  makers 

. Unfortunately through the outbreak of Corona the supply chain of the makers is interrupted, so we do not know if we can receive the devices (that were promised not before March 2020) in time. We started looking for alternatives now.)

a simple notebook which functions as a server

bluetooth hubs and maybe wiFi access points

Christiane Hütter

We like to see technology as possible space, or making possible space, for participatory processes. During this fellowship, we will use theatre as a living space for encounters, with the research questions: How can we construct society together? And how can we make this process visible for audiences? 
We want to develop a sustainable format for collaborative discourse, in which people can together experiment with different forms of organisation for society. This could start on a small scale, with a family, and can become quite big: How to organise a country?

RESEARCH PLATFORM

Academy for Theatre and Digitality

Markus Schubert

Creative Technologist, Game DesignerFellow

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