is the knowledge-sharing platform for the 

. Explore the experiments and bold ideas behind the Academy's Fellowship programme, delve into the science behind the projects of our HIDA researchers, and explore the results of international collaborations.

is a platform for discovery and documentation. Each 

showcases a unique artistic-technological research project, with topics as diverse as the use of AI in theatrical design, choreography for and with robotics, and the possibilities for theatre in virtual spaces. Each 

 offers the chance to learn more about the members of our artistic research network. By pooling our knowledge in such a way, creative research into theatre, performance and digital technologies can become more accessible, sustainable, and artistically innovative.

Funded by the Federal Cultural Foundation, the Academy will award a total of 54 fellowships between 2019 and 2022, each lasting for five months. The 

 are designed for people interested in artistic-technical research which explores the possibilities for digital narratives in theatrical spaces, as well as their practical implementation. Fellows have researched a variety of digital methods (motion capture, coding, XR, VR, AR, sensor technologies, robotics, and more) across artistic fields including opera, dance, orchestra and drama. 

Helmholtz Information & Data Science Academy

(HIDA), the Academy for Theatre and Digitality has offered joint research fellowships at the interface of digital art and cutting edge scientific research since 2021. The HIDA fellowships are kindly supported by the 

PlayOn! New Storytelling With Immersive Technologies

 is a larger scale cooperation project, funded by Creative Europe, designed to understand, learn, test and apply immersive technology to theatre, in order to shift classical storytelling to interactive narrative formats.

Artificial Intelligence

VR (Virtual Reality)

Interactive

Sound Design

Projection/Mapping

3D Printing

XR (Extended Reality)

AV (Audiovisual Design)

Theater Dortmund
Theater Karree 1-3
44137 Dortmund
Germany
Fon: +49 (0) 231 226 14330

Address and location of the Academy for Theater and Digitality:
Speicherstrasse 17
44147 Dortmund
Germany

E-Mail: akademie@theater.digital
Web: theater.digital

Tax number: 314/5702/9367
Sales tax identification number: DE 124643894

Management Team:

Executive Director
Tobias Ehinger

Administrative Director
Martin Lizan

Director of the Opera
Heribert Germeshausen

Director of the Ballet
Xin Peng Wang

General Music Director
Gabriel Feltz

Artistic Director of the Schauspiel
Julia Wissert

Director of the Children's and Youth Theater
Andreas Gruhn

Director of the Academy for Theatre and Digitality
Marcus Lobbes

Please also note our privacy policy.

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), is pleased that you are visiting our website. Data protection and data security when using our website are very important to us. We would therefore like to inform you at this point, in accordance with Article 13 of the EU General Data Protection Regulation (DSGVO) and Section 13 of the German Telemedia Act (TMG), which of your personal data we collect when you visit our website and for what purposes it is used. Since changes in the law or changes in our internal company processes may make it necessary to adapt this data protection declaration, we ask you to read through this data protection declaration regularly. The data protection declaration can be accessed, saved and printed out here at any time.


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This data protection declaration applies to the Internet offering of Theater Dortmund, which can be accessed under the domain www.theaterdo.de and the various subdomains (hereinafter referred to as "our website").


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Fellowship

HIDA

PlayOn!

discover cutting-edge digital research in theatre and performance 
meet our research fellows and collaborators in the 

Portal: Academy for Theatre and Digitality

Sarah Buser

works as a dramaturg, director, programmer and lecturer. Coming from theater she realises interactive, fictional spaces enriched with the transformation of philosophical concepts through theatrical installations with new media. In her artistic engagement with world, she particularly explores augmented reality as a theatrical and narrative tool. 

Both the development and programming of software plays a central role, as does the creation and realisation of social and fictional situations. The goal of her work is to create dramaturgical condensations through the interaction of technology and the everyday world, while making the process of understanding visible.

Code, Virtual- and Augmented Worldbuilding, Text, Audio, Interactiondesign

Research and Development GPS, Unity, ARCore

 + ARCore Extensions for Augmented Reality on Android


Die gesellschaftliche Konstuktion der Wirklichkeit

, S. Fischer Verlag Frankfurt am Main, 1969.
Bridle, James: 

, C.H. Beck München, 2019.
Calvino, Italo: 

, S. Fischer Verlag Frankfurt am Main, 2013.
Freedman, Carl: 

Arts and Idea in the Novels of China Miéville

, Rowman & Littlefield International Ltd. London, 2019.
Miéville, China: 

 by The Chinese Room , SCE Santa Monica Studio


 by Davey Wreden, Everyting Unlimited Ltd.

Intro to Shader Coding in Unity - An Improvised Live Course

Development Diary

The goal of the research on Die Andere Stadt was to find a technological and dramaturgical translation of some of the main concepts of the novel The City and The City by weird-fiction author China Miéville. The concept of “unseeing” presented in the novel and the assumption that Augmented Reality is an ideal medium to question our surroundings were the starting point of the research movement.

RESEARCH PLATFORM

Academy for Theatre and Digitality

Sarah Buser

Fellow

Projects

Contact

External Links